![]() Each episode arguably features more gore than is present in the entire anime. The result is a litany of cornball recycled jokes from his previous works and a certain Rick and Morty-esque tone that pervades odiously throughout each episode, rippling towards a staunch insincerity and near-offensive emotional whiplash which verges on the exploitative.Ĭowboy Bebop is bloody, and needlessly so. Seeing Yost’s name slapped on the show’s credits contextualizes a lot of the misgivings I have towards it-it’s almost as if, after finding out the original show was animated, Yost decided it must be as garishly cartoonish as possible. Many moments in these 10 hourlong episodes go beyond just your average cringey attempt at recapturing the magic of the source material it’s based on-it’s actively grotesque in its bastardization of the original show, which has been contorted into a full-blown black comedy by writer Christopher Yost, known for his work on Thor: Ragnarok and The Mandalorian. Netflix’s Cowboy Bebop often feels like a slap in the face. Seeing the show now, I can’t believe just how wrong I was. Its diverse, eclectic blend of musical styles, genre conventions, and multicultural imagery is a huge part of its success outside of Japan, and is something that (or so I believed) could be caught on camera well enough. Bebop is a show heavily inspired by Western culture. I’m not a person who feels particularly precious about Cowboy Bebop-it’s a wonderful show and one I’ve watched several times, but I wasn’t groaning with dismay like many when the live-action adaptation was announced back in late 2018. The show is, understandably, considered a sacred bastion by many fans it was a gateway into anime for many Millennials who stayed up late enough to catch its maiden voyage on Adult Swim as one of its very first programs. ![]() It’s since become ubiquitous-Spike Spiegel tees can be found at any local Urban Outfitters, parodies of the opening sequence featuring the Simpsons or the cast of Star Wars practically litter YouTube (including one featured in an official episode of The Amazing World of Gumball), and the anime consistently tops any list of the “best anime of all time,” including our own here at Paste. So I think to really properly tell the story of Ed the real estate was necessary to know who our characters were before disrupting their world with Ed.Back in the day, Shinichiro Watanabe’s Cowboy Bebop was an ironclad argument in favor of anime’s coolness, a testament to the power of animation and its ability to tell unique stories other mediums struggled with. “Ed is a proper disrupter and really gets the guys into some real sh*t every now and again. Then, and only then, did Nemec feel it was appropriate to add Ed. And that a full season was necessary to ensure audiences fully understood this main trio. Nemec says that the first season was dedicated to exploring the core trio of Spike, Jet, and Faye. ![]() “And I wanted to make sure that, fingers crossed, we get to a season 2 that we really have the appropriate amount of time to explore the character of Ed.” And Ed is a very complicated character in all of the good and right ways,” Nemec explained to IGN. ![]() “We really take our time to get to know our characters. Nemec says the decision to keep Ed from appearing on the show until the very last minute, setting up a possible second season, was deliberate. It’s definitely Ed, with the same outfit and mannerisms as from the anime. Only it’s Ed who shows up with a bounty request for the cowboy. Well, at the end of the first season of Cowboy Bebop, the crew is scattered in the winds and an injured Spike lies down on the street by himself, wounded. During the lead-up to the Cowboy Bebop premiere, Nemec and the cast kept mum on the whereabouts of Ed, only telling fans they’ll “be delighted.” ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |